INTERVALS

INTERVALS
April 1 – May 8

Opening Reception, Saturday, 

April 4th, 4–6 PM 

Intervals brings together four contemporary painters whose practices are rooted in attention to what often goes unnoticed. Through distinct approaches, their work reveals the quiet, shifting spaces between moments where perception deepens and meaning emerges.

Ryan Reynolds
Ryan Reynolds’ newest works explore interior still life through acrylic, collage, and mixed media. His paintings reflect a quiet attention to everyday spaces, where light, memory, and observation converge.
Balancing realism with an intuitive openness, Reynolds creates compositions that invite reflection. His work offers moments of stillness within the rhythm of daily life, allowing familiar scenes to feel newly present and deeply considered.

Savitha Viswanathan

Savitha Viswanathan creates exquisitely detailed colored pencil drawings that celebrate the quiet beauty of still life. Flowers, cakes, fruit, and domestic objects are rendered with remarkable sensitivity to texture, light, and form, each surface built through layers of carefully applied pigment.
Drawing from Victorian traditions of naturalist observation, her work feels both timeless and contemporary. Through intimate compositions that balance lush florals with indulgent sweets, she evokes themes of celebration, transience, and quiet joy.

Brooks Anderson
Contemporary painter Brooks Anderson continues his exploration of the desert and mid-century architecture through oil landscapes that offer quiet meditations on land, sea, and sky. With a refined sensitivity to light and atmosphere, his compositions move beyond description, inviting reflection, presence, and stillness.
Through subtle shifts in tone and structure, Anderson transforms landscape into a metaphor for inner life and the search for truth. His work suggests that the natural world is not only observed, but deeply felt, carrying memory, emotion, and meaning.

Irene Zweig
We are delighted to present a new suite of Irene Zweig’s paintings, representing three years of work. Her pieces begin as watercolor and ink drawings, which she dissects and reassembles into intricate compositions on panel, often using dime-sized fragments.
The resulting structures feel elegant and magnetically compelling. Each fragment retains the sensitivity of the original mark while contributing to a larger composition that is rhythmic, complex, and unexpectedly organic.